In the elegant halls of wedding venues, where love and celebration fill the air, I find joy in capturing moments through a unique lens. As a photographer, I have a passion for reflection and a keen eye for the beauty in mirrors.
Every wedding I attend, I make it a point to seek out the perfect mirror. I find that these reflective surfaces add an extra layer of depth and intrigue to my photos. It's not just about capturing the bride and groom or the laughter of guests, but also about creating art that includes myself in the frame, making each shot a personal signature of my presence.
As I arrive at each venue, my eyes scan the surroundings, searching for that ideal mirror. It might be a grand antique piece in the corner of a ballroom, or a sleek modern mirror in a cozy lounge. Once I spot it, I position myself carefully, adjusting the angle to ensure the background is just right. The soft lighting from chandeliers and wall sconces creates a warm glow, adding to the magic of the moment.
With my camera in hand, I take a deep breath and smile, knowing that this photograph will capture not only the essence of the wedding but also a piece of me. I raise my camera, and in the viewfinder, I see a blend of the elegant venue, the festive decor, and my own focused expression. Click. The shutter closes, immortalizing the moment.
These mirror selfies are more than just photographs; they are stories within stories. They show the world through my eyes, reflecting my passion for photography and my love for the joyous occasions I document. Each image tells a tale of where I have been, the weddings I have witnessed, and the countless smiles I have captured.
As I move from venue to venue, these reflective portraits become a cherished collection, a visual diary of my journey as a wedding photographer. They are reminders of the laughter, tears, and heartfelt vows I have seen, and the artistry I bring to every event. Through the mirrors, I not only capture the love stories of others but also weave my own narrative, one reflection at a time.
Jiri Kolar
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